PhotoVogue is the photographic Vogue platform which is supervised by the Photo Editor of Vogue Italy, where artists can show their talent and their ability to participate in international exhibitions and initiatives. They are represented by the agency Art + Commerce in New York, one of the most prestigious in the world.
Enzo Crispino was selected by Vogue and continues to reap rewards.
As a boy he has begun a personal journey in photography, interests which are grown by himself , grew more and more, until it became his biggest passion so far.
Present in various photo sites, in which he participates actively in the last period, he has achieved significant results in numerous national and international competitions and was awarded important nomination, finals and awards.
InArte Werkkunst is proud and pleased that the considerable talent of its artists is nationally recognized.
Visit the page that Vogue has dedicated to him: PhotoVogue-portfolio-EnzoCrispino
Recruitment in progress for artists,
International Collective in Berlin,
October 7 to 29 in 2016.
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Awards from Moscow to Mario Rossi and Enzo Crispino.
Honorable mentions to two of our photographers have come directly from Moscow, triumphant at MIFA (Moscow International photo Awords) Mario Rossi with his “My Portfolio” and Enzo Crispino for both papers presented: “The culture of abandonment” and ” Rural world “(click on the links to see Photogalleries in their original pages).
InArte Werkkunst is proud and pleased that the considerable talent of its artists is recognized worldwide.
Speaking of the much-loved Mario Rossi style, we always admire so much, the author in the presentation of his work to the Contest Soviet she states: “A single click for me is no longer enough. I would like to represent the dynamism of the real. The middle ground between film, painting and photography “.
Enzo Crispino hand through his interesting work, is the sentinel bringing social issues to reflect on recovery, not only architectural and infrastructural! In fact with raw images dé “The abandonment culture” the author, has as its goal to shake the soul of the audience that now seem almost anesthetized, inert, inured in front of some symbol of our places. territories.
With the vehemence of its rugged image, the play of Enzo Crispino is the visual shock through some of these examples in the city of Reggio Emilia. Cities where the glories of intensive urban construction, the abandoned industrial warehouses and exposed to wear and tear, often become places of shelter and refuge of new poverty. In presenting his work to the Contest Moscovita the author explains: “The urban face has changed radically and, with it, the culture of” non-recovery “, but only the abandonment. As evidence of this new culture, buildings and urban architecture assume the role of totems before our eyes, as a symbol of new civilization. The disco “Marabou Music Hall” located on the Via Emilia in prov. Reggio Emilia it is a concrete example. A popular meeting point in the ’70s and’ 80s has become, over time, a place of degradation and neglect … ”
More subdued tones of the same author in relation to the work on “Rural World” focused on reassuring search of their cultural identities, sometimes lost as a result of globalization. On this Crispino work states: “Over the last two decades we have witnessed and absorbed a new mass cultural revolution called globalization. This globalization has standardized all our lives by erasing our identity, territorial boundaries and human cultural stories in each country. Today we feel the need to regain our lost identity, rediscovering a new rurality to recognize in our cultural roots. “